deeper into... the naked truth
MURUGA/JOHN CHURCHVILLE/PANDIT SAMAR SAHA-
Joty Drums (SAGITTARIUS A-STAR #50) LP, black vinyl, ltd ed 1/75; with color
postcard as insert
side A
Joty Drums
Nadanada
side B
Sun day saaz
Keherewa Trance
Tabla Conga
Muruga- nada drum, shaker, congas, drones
John Churchville- tabla, bass guitar
Pandit Samar Saha- tabla
special guests:
Alex Terzian- saz, electric mandolin
Vince da Luiso- ektar
rec. 2009 at Sage CT. Studio, Ann Arbor,
Michigan
rec. and master: Jef Stevens
artwork: Muruga
photos: Cory Robinson
WORDS:
"I listened to the Muruga LP :-) Fabulous!
A fantastic record. It sounds really nice
and the music is totally immersive and meditative.
The sort of vibes that you can play in a
constant loop. Joty Drums is another one
of those Muruga albums where there are no
highlights to pick out: the whole album is
a highlight from start to finish. One of
those albums where liking one track means
you like them all. It's superb played in
a dark room at loud volume. You just listen
as carefully to it as you can until your
mind completely stops thinking about anything.
An outstanding recording to crown the achievement
that is Sagittarius A-Star. Well done on
creating something that nobody else could
have." ML
"after so much troubles and efforts
i arrived at #50, half way then qbico...
and to celebrate such goal i choose what
for me is a very special record." ep
Joty Drums won Outstanding World/Reggae/Ska Recording at The Detroit Music Awards 2014 and Muruga won for Outstanding World/Reggae/Ska instrumentalist.
SAS #50 ltd ed
26 copies only, numbered
- with hand-made cover by Muruga, each one
is unique (see the gallery for more pic)
- with color postcard as insert (different
from regular ed)
- with color photo as another insert, printed
on high quality photo paper
NORTHWOODS IMPROVISERS (SAGITTARIUS A-STAR #46/47/48/49) 4LP box set with printed inner sleeves,
black vinyls/black labels, ltd ed 75 copies
only numbered
Lightning Darkness
(trio/4et 1998)
side A
Lightning Darkness
Mike Gilmore- bowed guitar, vibes
Mike Johnston- percussion, bass
Nick Ashton- percussion
Rainbow
Mike Gilmore- cheng
Mike Johnston- bass
Nick Ashton- drums
Tuareg
Mike Gilmore- percussion
Mike Johnston- shenai, percussion
Ben Bracken- tamboura
Nick Ashton- drums
side B
Tariquah
Mike Gilmore- bone guitar, percussion
Mike Johnston- bass recorder, percussion,
penny whistle
Ben Bracken- tamboura
Nick Ashton- drums, percussion
Two Worlds
Mike Gilmore- vibes
Mike Johnston- bass
Nick Ashton- drums
cover art: mike johnston
originally released by Entropy on CD
Star Garden
(trio 1998/1999)
side A
Raga Ramakali
Mike Gilmore- guitar
Mike Johnston- bone guitar
John Plough- tabla
Blue Star
Mike Gilmore- guitar
Mike Johnston- bone guitar
Kirk Lucas- tamboura
side B
Clay River
Mike Gilmore- dumbeks
Mike Johnston- african flute, cow bell
John Plough- log drums, percussion
Desireless
Mike Gilmore- cheng
Mike Johnston- bass
Nick Ashton- drums
Lenticular current
Mike Gilmore- guitar
Mike Johnston- bone guitar
John Plough- tabla
cover art: mike johnston
originally released by Entropy on CD
Paths of Light
side A
Paths of Light (2007)
Mike Johnston, Mike Gilmore, Kirk Lucas,
John Plough
instruments (set up in a large circle): steel drums, vibes, log drums, sho, cheng,
cello, gongs, mbira, marimba, ewart rain
sticks, bell tree, tamboura, bone guitar,
shakers, bells, cup gongs, bowed percussion,
kora, african string intruments, shakuhachi,
bird calls, frame drum, bass, african flute,
ewart flute, tabla, bowed saz, logs, conga,
zither, inanga, bowed banjo, bass recorder,
penny whistle, tibetian bells
side B
Modoc (1999)
Mike Gilmore- steel drums
Mike Johnston- bass
Nick Ashton- gongs, percussion
Kuhtuhlpa (2011)
Mike Gilmore- mbira
Mike Johnston- wood flute
Nick Ashton- log drum
Yeti Talks to Rumi
(2007)
Mike Gilmore- cheng, bone guitar, bowed percussion,
frame drum
Mike Johnston- bass, bass recorder
Kirk Lucas- bells, cello, guitar, bowed banjo
John Plough- kora, bells, mbira, wood flute
Dark water
(1998)
Mike Gilmore- percussion
Mike Johnston- bass recorder
Nick Ashton- percussion
photo: don barber
available here for the 1st time
Constellations
side A
Green Star
(6/2008)
Mike Gilmore- guitar
Mike Johnston- shakers
Mike List- tabla
Kirk Lucas- guitar
Burundi
(7/2008)
Mike Gilmore- kalimba, shaker
Mike Johnston- bass
Kirk Lucas- log drums, rain stick, kalimba
Conciere Ntasiah (5/2008)
Mike Gilmore- guitar
Mike Johnston- bass
Mike List- kosika
Stone circle (7/2008)
Mike Gilmore- shaker, kalimba
Mike Johnston- african flute, bass recorder,
rain stick
Kirk Lucas- rain stick
Peace
(1999)
Mike Gilmore- vibes
Mike Johnston- bass
Nick Ashton- drums
side B
When
(1997)
Mike Gilmore- vibes
Mike Johnston- bass
Nick Ashton- drums
Sands (1996)
Mike Gilmore- conga
Mike Johnston- bass recorder
Kirk Lucas- bass
Nick Ashton- log drum
Market
(2008)
Mike Gilmore- mbira
Mike Johnston- wood flutes
Nick Ashton- log drum, percussion
Summer (1997)
Mike Gilmore- vibes
Mike Johnston- bass
Nick Ashton- drums
photo: don barber
available here for the 1st time
all music recorded live in the studio
all music is acoustic
recording and mixing: mike johnston
layout and design: mark rudolph
mastering: dan bracken
selection: ep
SPECIAL THANKS: Mike Johnston
"Oh, man! This Northwoods box is so
F A N T A S T I C! Its one (even the best)
of my favourite music collectives! Everything
is 110% in tune! The music, the coverartwork,
the special Features and the box itself.
Very similar to the konstrukt box! I love
these vibes created with all these wonderful
acoustic Instruments! So naturally! What
a Journey. This music is just pure Magic..." Thomas
"I finally came to listen to your latest
package of vinyl. First i have to thank you
for putting out Northwoods music. I just
love this group and since now (at least to
my knowledge) only very little was put out.
Even better to press it vinyl! You know how
to please a vinyl addict. " Johannes
SAS #46/47/48/49 ltd ed
26 copies only, numbered
Northwoods box
on special orange paper with very small red/green
dots (same style as the one used for the
Qbico Omicron/Omega box set) with:
- front artworks by Mike Johnston (two variations)
- hand-made frame by ep along Mike's artwork,
on interstellar metallic bronze paper (all
different = each box is unique)
- signed print by Don Barber of original
inner sleeve cover photograph
- color insert printed on quality paper (front
& back) with rare & beautiful images
of the band
- an extra one-sided LP on black vinyl/black
labels & black polythene inner sleeves
with obi strip designed/made by Mike Johnston
NORTHWOODS COLLECTIVE
Homage to Africa
side A
African bells (3/2008)
Mike Johnston- inanga, ethiopian vocal tape
Mike Gilmore- kalimba
Kirk Lucas- percussion
Vimbuza (6/1999)
Mike Gilmore- marimba
Mike Johnston- bass
John Plough- bell hoops, shaker
Suns of Africa (9/2009)
Mike Johnston- bass, bells, inanga, shakers,
african flutes, shenhai, bass recorder, bird
calls
Mike Gilmore- marimba, kalimbas, congas,
gongs, vibes
John Plough- african flute, shakers, kora,
ewart rain stick, bird calls, gongs, bells
Kirk Lucas- shakers, log drum, kalimba, cup
gongs, cello, inanga, bells
Soro (08/2000)
Mike Gilmore- marimba
THE COLLECTIVE- Idrissa's dream (SAGITTARIUS A-STAR #45) 2LP, black vinyl, ltd ed
side A
The Shepherd's Tune
Idrissa's Dream part I
side B
Idrissa's Dream part II
Black Queen
side C
Beginning Roots part I*
side D
Beginning Roots part II*
Veil of Solitude
Idris Ackamoor- alto and soprano saxophones, percussions
Margaux Simmons- flute
Lester Knibbs- piano
Steve Rumboat- french horn
Steve Maniscoso- drums and percussions
*special guest Greg LaMont Wright- soprano saxophone
rec. Live at Antioch College, Kelly Hall, Ohio; August
29, 1971
design, editing and mastering: ep, a-star sound
"How does music reflect the times we
live in directly or indirectly? They say
Music is a healing force. Well, the music of my first professional
band, The Collective, had a lot to heal for
the world of 1971. The times were a’changing!
The Vietnam War was raging and on May 4,
1970, four Kent State University students
(down the road from Antioch College and the
home base of The Collective) were killed
and nine injured when members of the Ohio
National Guard opened fire during a demonstration
protesting the Vietnam War. It was barely
3 years since the assassination of Martin
Luther King Jr. and Bobby Kennedy. Black
Panthers Mark Clark and Fred Hampton were
gunned down in Chicago on December 4, 1969.
All this was happening when I thought to
form The Collective in collaboration with
Antioch music professor Lester Knibbs and
my future wife Margaux Simmons.
The Collective reflected those turbulent
times playing music of beauty and healing
as well as chaos and intensity. I guess it
was appropriate that the other two members
were actually renegades from the armed forces.
Steve Manicoso on drums and Steve Rumboat
on French Horn were both in the air force
band stationed at Wright Patterson Air Force
base in Dayton, Ohio and spent their free
time in Yellow Springs, Ohio where they could
“let their hair down” and escape the rigidity
of base life.
Antioch College was a bastion of liberalism
in a sea of conservatism. It was a hotbed
of anti government, pro communist, political
agitators, black separatist, and a drug center
for the entire Midwest! What a place to make
music in 1971! The Collective preceded my
legendary band, The Pyramids, by one year…a
year that was as turbulent in the country
as it was in my personal life. The extraordinary
event that separated the two bands included
a tragic personal accident as well as arrival
at Antioch of the famous pianist/composer
Cecil Taylor and his whole entourage of altoist
Jimmy Lyons, percussionist Andrew Cyrille
and Clifford Sykes, Dancer Ken Miller, and
poet James Thompson. The Cecil Taylor group
would be in residency at Antioch for two
years!
Through all of 1971 music reigned down like
an unending shower that drenched all who
were experiencing this magical time with
a never to be forgotten creativity and spiritual
memory. You might say that The Collective
gave birth to The Pyramids. After the dissolution
of The Collective, Margaux and myself became
devotees of the Cecil Taylor Black Music
Ensemble composed of Antioch College music
students and others. After being baptized
in the fire of Cecil’s remarkable brilliance
several months later I went on to submit
a proposal to the Antioch College Abroad
Program. The proposal’s goal was for Margaux,
myself, and a young, crazy electric bass
player named Kimathi Asante to travel to
Europe, form a band, and then travel throughout
Africa. Hence, The Pyramids was born!
Presently there is a lot of attention being
paid to the rebirth of The Pyramids! There
have been multiple European tours, a plethora
of reissues, and new recordings. However,
The Collective’s story has NEVER been told
and/or heard outside of Ohio until now! Listen
to this extraordinary music for the FIRST
time. A music still fresh and vibrant after
42 years!" Idris Ackamoor, August 8, 2013
IDRIS ACKAMOOR PARIS QUARTET- The Periphery
of the Periphery (SAGITTARIUS A-STAR #44) LP, black vinyl, ltd ed
side A
Saunya's song
The periphery of the periphery
side B
Traveling East
Joy
Idris Ackamoor- alto saxophone, tap dance
Rasul Siddik- trumpet, fluglehorn
James Lewis- bass
Ichiro Onoe- drums
rec. Live at Jazzgalerie, Nickelsdorf, Austria, Oct.
6, 2001
design, editing and mastering: ep, a-star sound
"About a week after September 11, 2001
I flew into New York City to be a grant panelist
for the Rockefeller Foundation’s arts program.
Flying into New York the aftermath of the
destruction of the Twin Towers could still
be seen as an eerie cloud and haze that embraced
the site of the attacks. Walking through
the streets there were flyers posted everywhere
that detailed the names and descriptions
of the missing and dead. I sat in a room
for the arts panel that gave me a birds eye
view of the destruction. This experience
of sights, smells, and art in NYC began my
European tour of 2001!
Once the panel was over I was off to Paris,
France where I was going to make a rendezvous
with musicians I had not seen or played with
in over twenty years! Trumpet whirlwind,
Rasul Siddik, and Bass virtuoso, James Lewis,
were a part of my musical life post the dissolution
of my renowned band, The Pyramids. During
the 80s both James and Rasul left the San
Francisco Bay Area for Paris in search of
artistic freedom and work. They have been
ex-patriots living in Europe ever since.
Over the years I stayed somewhat in touch
with Rasul and James and when I wanted to
put together a band for my next European
tour I thought of them.
Arriving in Paris it was a wonderful Reunion!
We rehearsed the music in a classic Parisian
cellar that James had procured. Ichiro Onoe
who is a wonderfully inventive drummer joined
us. Rasul was one of the first members of
my nascent performing arts company, Cultural
Odyssey circa 1980. I introduced him to the
theatrical arts and he introduced me to Burkhard
Hennen and the Moers New Music Festival in
1980, which really connected me to the European
jazz scene once again. James was a part of
my 1978 Ensemble that received one of the
first California Arts Council touring grants.
Now, here we were many years later in a Parisian
cellar, rehearsing, drinking wine, reminiscing
and playing my compositions predominately
but also some of Rasul’s as well. However,
what really gave the music its fire and spirit
was the spontaneity that resulted after the head of the composition was played. During the
solos we would take it anywhere! Everywhere!
Nowhere! Somewhere! Just fire breathing,
bopping and weaving, hoofing and dreaming!
It was a remarkable time. A beautiful time
after the tragedy of 9/11. It was as if we
were playing to the spirits of all of those
departed. We are here! Still standing! Still Blowing to the spirits!
Stomping and swinging…free spirits one and
all!” Idris Ackamoor, August 8, 2013
IDRIS ACKAMOOR/HAKEEM MUHAMMAD- Live in Europe (SAGITTARIUS A-STAR #43) LP, black vinyl, ltd ed
side A
The Maze
Ecstasy and Agitation
side B
Tomorrow's tomorrow
Idris Ackamoor- alto saxophone, tap dance
Hakeem Muhammad- piano
rec. at Klagenfurt Summer Festival, Klagenfurt,
Austria, June 1991
design, editing and mastering: ep, a-star sound
SAS #43/44/45 ltd ed
26 copies only, numbered
the Zebra box
- front cover with Idris in Zebra attire
- SAS #43 with different front cover then
regular ed (paste-on; high quality photo
paper) + color postcard
- SAS #44 with different front cover then
regular ed (paste-on; high quality photo
paper) + color postcard and insert
- SAS #45 with different front cover then
regular ed (paste-on) + insert with notes
OKAY TEMIZ & HUSEYIN ERTUNC ETNIK ORKESTRA-
Live in Istanbul (SAGITTARIUS A-STAR #42) LP, black vinyl, ltd ed; with insert
side A
part I
side B
part II
Okay Temiz- kalimba, perc, fl, soprano sax, horn
Huseyin Ertunc- kustufons, fl
Dogan Dogusel- kustufons, fl
Musa Dede- perc, whistles, hand-drum
Sarp Keskiner- hand-drum, perc, fl
Ozun Usta- cura, hand-drum, overtone fl
Korhan Futaci- fl, alto sax
Umut Caglar- violin, fl, bendir
Murat Taner- zurna
Barlas Tan Ozemek- acoustic gt
Selim Saracoglu- acoustic gt
Daniel Spicer- bamboo sax, tp, bendir
Berke Can Ozcan- drums, perc
rec. by Ozan Murat, on May 6th, 2013 at Babylon
mixed by Korhan Futaci
photo by Eylem Caglar
thanks: Umut & the Orkestra
"Collective improvisation based on a
Turkish folk tune. One of the most ecstatic
piece of music i ever heard (simple as it
is) ! suddenly i found myself dancing madly,
like a Whirling Dervish... unfortunatly i
didn't get Enlightment BUT, it was fun !"
ep
OKAY TEMIZ/HUSEYIN ERTUNC/DOGAN DOGUSEI-
The trio (SAGITTARIUS A-STAR #41) LP, black vinyl, ltd ed
side A
Studio part I + Studio part II
side B
Concert part I + Concert part II
Okay Temiz- drums, fl, triangle, harp, kalimba, waterphone
Huseyin Ertunc- piano, kustufons, flutes, kalimba
Dogan Dogusei- double bass, kustufons, flutes
special guests on Studio part II: Daniel Spicer- perc & Umut Caglar- kalimba
side A rec. at Okay Temiz Atolyesi, Istanbul
by Daniel Spicer (May 2nd, 2013)
side B rec. live at Babylon, Istanbul by
Ozan Murat (May 6th, 2013)
cover art: Huseyn Ertunc
thanks: Huseyn, Okay, Dogan & Umut
"1st time ever that two of the most
legendary figures from the Turkish jazz scene
(Okay & Ertunc) play/rec. together, so
really an historic event ! classic pn trio + some more ethnic/otherworldly
moments. special front cover artwork by Huseyin,
who's an acclaimed painter (he designed also
the old Intex front covers...), especially
in his own country." ep
KONSTRUKT- Bulut (SAGITTARIUS A-STAR #40) LP, black vinyl, ltd ed
side A
Bulut
Ates
El Gato (for Gato Barbieri)
side B
Toprak
Korhan Futaci- tenor and alto sax, fl
Umut Caglar- moog, vermona organ, electric guitar
Ozun Usta- djembe, electric bass, fl, cura
Korhan Arguden- drums, old k zildjian cymbals
rec. engineered and mixed by Korhan Futaci
at Atolye, Istanbul on May 16th, 2012 and
June 3rd/5th, 2013
cover concept: Umut
special thanks: Umut
"One day a super nice fellows from Turkey
wrote me... Umut ! he enjoyed the one-sided
i did by Phill Musra with Huseyin... that's
why i always consider myself as a farmer, a plant seeds... well this RARE focus on
the Turkey jazz scene are the fruits from
that Musra trio one-sided LP... and to be
sincere i'd have NEVER belived one day to
be able to do such a focus (not even when
i stopped qbico): difficult to know/find
the right people/the right music from that
elusive (but with such a rich musical &
historical tradition/s) country !? it all
started with that track Bulut, we initially
spoke about doing' a one-sided BUT we hit
along real well so... here we go: three varied
albums from Turkey and a very special ltd
box set. Konstrukt it's active since few
years now and they recently played Sant'Anna
Arresi Festival in Sardinia Island with special
guest Marshall Allen... and after various
CDs releases (including one with Peter Brotzmann),
this is their very 1st release on wax (a
record to be played at a very soft volume)
! totally hip Cosmic Turkish jazz ! ah, traditional
Turkey's carpet motifs are on the front cover
(each ones has a special value, see ltd ed
gallery for their meanings)." ep
SAS #40/41/42 ltd ed
26 copies only, numbered
the Turkish box
- front cover concept/design by Umut
- SAS #40 with different front cover then
regular ed (paste-on; the carpet motifs are
divided in 26 parts, so if you put together
all 26 ltd ed, you'll see the full design as on the regular
ed) + postcard
- SAS #41 with different front cover then
regular ed (paste-on; artwork by Huseyin
Ertunc) + color postcard + another insert
on high quality photo paper with 12 pic from
the concert
- SAS #42 with different front cover then
regular ed (paste-on; empty stage) + insert
with notes + another insert on high quality
photo paper with 12 pic from the concert
- large color insert: The Celestial map,
from Zubdet ut Teverih by Lokman (Turkish School), created around
1583 AD
- SAS #41C one-sided LP, black wax, hand-made
label (Cybele), front cover image (printed
on high quality paper) of a female idol found
in Anatolia (bronze, Hittite period 1750-1200
BC) + postcard with notes and pictures from
the rec. session (4). back cover a-star logo
stamped on red ink.
side A
Rehearsal tapes, part I & part II
various percussion, woodwind, reeds &
string instruments by
Okay Temiz, Huseyin Ertunc, Dogan Dogusel,
Musa Dede, Murat Taner, Sarp Keskiner, Özun
Usta, Korhan Futaci, Umut Çaglar, Barlas
Tan Özemek, Selim Saracoglu, Daniel Spicer,
Berke Can Özcan
rec. during the last rehearsal for the legendary
Babylon concert by Daniel Spicer at Okay
Temiz Ritim Atölyesi, Istanbul; May 4th,
2013
mix & edit by Umut Çaglar
cover concept & design by ep
GOOD (precious) VIBES:
My dear EP
The box arrived safely on Friday, in great
condition and truly a classy production.
Thanks and congratulations on a great job.
And of course the music is excellent – especially
the joyful orchestra recordings (reminds
me of George Gruntz’s ‘Noon in Tunisia’ Mahgreb
track – very danceable). I shall tell you
how good it was – my wife actually stayed
in the room while I played it !! That is
high praise indeed !!
Thanks and best regards – DP
Got it last thursday, played it last weekend,
will love it in all eternity!
Thank you!
MH
the TURKEY BOX made my sunday! AMAZING! unfortunately
too short, again! i love that oriental impact
in the free improvisation! dope box! its
like a hole nature cosmos (without samples
- just with instruments) conserved on wax
(especially 041 + 041c - lucky to have the
"c")! birds are flying. thunder.
rain. just magnificient…
now looking foward to the next package!
TG
SABIR MATEEN/SIRONE/ANDREW BARKER- Infinite
flowers (SAGITTARIUS A-STAR #39) LP, clear glow orange vinyl
side A
Infinite
side B
Flowers
Sabir Mateen- tenor saxophone
Sirone- bass
Andrew Barker- drums
rec. June 30, 2008 by Andrew Barker in Brooklyn,
NYC
cover painting by Karl Francke
"good old free music and the best one:
never too wild but always outta sight. i
liked it from the very beginning 'cos it's
DIFFERENT & UNIQUE." ep
EDDIE GALE INNER PEACE ORCHESTRA- Inner peace
suite #2 (SAGITTARIUS A-STAR #38) LP, black vinyl
side A
String introduction to prayer for the World
Water cave
Love understanding
side B
African Sunshine
When the Saints go marching in
Eddie Gale- flugelhorn & muted trumpet
James Garrison- tenor sax
Emily Haozous- alto sax
Leonard Thompson- piano
Yvette Zee- violin
Colette Zee- violin
Richard Duke- double bass
Allen Santos- double bass
Otis- drums
Tim Carter- drums
Karl Deagling- percussions
guest artists:
Irina Mikhallova- vocal & hand-drum
Ismael Navarrete- baritone & soprano sax
the Orchestra is composed of music students
from the University of Santa Cruz 1995 Graduating
Class
rec. June 18, 1995 at McKenna Theatre, San Francisco State
University
rec: Al Hart, Sokai Audio
mastering: ep, a-star sound
MURUGA/PERRY ROBINSON/DOUG/MADCAT- Cosmic
Swamp (SAGITTARIUS A-STAR #37) LP
200gr. multicolor heavy wax (main ingredients:
green, purple and blue) with NO labels (meteor)
and gold glitters; plus color postcard as
insert with another original artwork by Muruga
ltd ed 35 copies only numbered (+ 26 for
the ltd Milky Way box)
side A
Dandelion wine
Island swamp
side B
Ann Arbor swamp
Con ton de bleu (means i love you)
Perry Robinson- clarinet
Madcat- harmonica & ukelele
Doug- bass
Muruga- drums
rec. 28 Dec. 2012 during Muruga's 70th birthday celebrations
artworks, rec., mastering: Muruga
special thanks: Muruga & Aaron
"Sangoma and Tuva had unfortunatly been
the less understood LP in all the entire
sagittarius catalog ?! so a few of these,
for the lucky few of you who understood...
this particular session shows ANOTHER side
of the incredibly versatile Muruga's &
Perry's art, here playing some unique, warm,
joyfull and cosmic hillybilly jazz-a-billy
kind of thang." ep
SAS #**C/37/38/39 ltd ed
26 copies only, numbered
the Milky Way box
- orange box
- front cover artwork by outsider Afro-American
artist Melvin Milky Way
- SAS #**C one-sided LP, multicolor 200gr.
heavy vinyl (unreleased stuff); cover with
gold stamps (front & back) + paste-on
photo (on high quality photo paper) of the
musician in an a-star dress
- SAS #37 with hand-made covers by Muruga,
all unique pieces (check the gallery) + color postcard as insert
- SAS #38 paste-on cover with different photo
(printed on high quality photo paper) from
regular ed + insert with notes
- SAS #39 paste-on cover with different art
(finished artwork) from regular ed + a postcard
of Sirone (printed on high quality photo
paper; a rare pic from the rec. session),
as insert; clear glow orange vinyl
ROY BROOKS ABORIGINAL PERCUSSION CHOIR- Live
at the Montreux/Detroit Jazz Festival 1986/1989 (SAGITTARIUS A-STAR #36)
3LP set in a triple folder cover;
two black vinyls ('86) + one transparent
red ('89)
side A
Aboriginal theme song, part I
side B
Aboriginal theme song, part II
Panoramic view points
side C
Kujichaglia
side D
Basketball
Cubano
Gloom and Doom
side E
Samba del Sol
side F
Five for Max
featuring:
Brad Felt
Geri Allen
Jerry LeDuff
Ray Mantilla
Marion Hayden
Vincent Bowens
Marcus Belgrave
Sundiata Keita Sun Drummer Society
Teddy Harris New Breed BeBop Society
artwork: Muruga
special thanks: Jazzrenegade
selection, editing, mastering, design: ep
WORDS:
"After the Improvisational Sphere &
the Artistic Truth, here it comes the 1st
and ONLY available rec. of Roy Brooks' sensational
Aboriginal Choir; which used to be one of
the highlight of the Montreux/Detroit Jazz
Festival. unique & special ?! kind of.
so many flavours, rhythms and oddity here:
steel drums, tap dancer, berimbau, Afro percussions,
musical saw, old skool breaks by the leader
(thanks to some mouth controlled electronic devices attached to his drum
set), ect ect ect..." ep
"i managed to listen in headphones to
some of the roy brooks lps. the 1st track
is really classic. i saw roy several times
(although not any jazz festival performances)
and this really captures some of the essence
of roy that didn't get recorded much. i dig
it. i listened to side c also. another cool
track (also recorded on an m'boom lp). it
too is great. i spotted a couple of the '89
performences and look forward to hearing
them as well. my initial response to the
sound is quite exceptional on the '86 performance.
and way better than "normal" for
detroit festival recordings that i've heard.
the '89 set sounded good (but more typical
of what i'm used to hearing). but not quite
as nice. we've played at the festival twice
and the recordings sound more like the '89
show of our performances. i haven't been
able to listen through my nice home system
yet. so i'll comment more later on. i really
think it's a special document and captures
one of the true detroit giants with great
bands. thanks for the record, and thanks
for putting it out. ...i had a chance to
listen more last night to the brooks aboriginal
music set. yes, it's exceptional in every
respect. i particularly dig the '86 concert
that is more of an m'boom / brooks / detroit
approach with strong rhythm grooves driving
the pieces. again, the sound is also of a
good quality for an outdoor festival performance
of a rather large sized band. the theme song
really cooks. real cool. the '89 show is
great also. but takes on more of a jazz feel.
yet, the cool layered rhythmic qualities
prevail in this performance also. the recording
of this performance isn't as nice as the
'86 recording and has more of an audience
vibe in the sound. but it's a great document
of a detroit music icon. best Mike Johnston (Northwoods Improvisers)
ep's reply: great, thanks Mike for yr comments, for
sure more valueable then any music mag and/or
music critic ! also very pleased to hear
that you dig it ! as for the audience vibe sound that you mentioned on the '89 set, well
i personally like that, especially when the
audience is so hot and receptive ! :-) plus
it gave me the sensation of being there,
a live sensation indeed."
SAS #36 ltd ed
26 copies only, numbered
the Aboriginal box
- front cover artwork by Muruga (who played
and even studied a bit with Roy back then
in big D)
- left & right inside panels with extra
photos and notes
- an extra full 180gr. LP (which plays at
45RPM), with the remaining set of the 1989
gig at the Montreux/Detroit Jazz Festival
made using the following color/s combinations,
basic: clear & gold, then white added,
then green and finally black
(see Aboriginal box gallery for some fine samples)
side G
Our continent
Jamaican lip-so
side H
Our roots
Boy and Soul
MATT VALENTINE AQUARIAN FOUNDATION &
SECOND FAMILY BAND- Live at ISSUE (SAGITTARIUS A-STAR #U-Nite I)
LP 180gr. hand-made vinyl (each one is a
unique piece); in a pic disk cover, with
flyer of the concert on back, ltd ed numbered
1/33 ONLY
four versions:
3D, marbled galaxy, stars and stripes, black
holes
side A
Matt MV Valentine with The Aquarian Foundation
MV- bantar, electronic tabla
Eirka Elder- lap steel, percussion
Willie Lane- guitar
Rongoose- bass
side B
Second Family Band
Dan Woodman, Iam Lee Ian, db Pedersen, Endless
live at ISSUE Project Room, Brooklyn
April 22, 2011
editing: ep
mastering: mv, spectrasound
special thanks: lawrence kumpf
YHW13- Live at the Velvet Lounge (SAGITTARIUS A-STAR #35) LP, azul vinyl
Djin- guitar
Sunflower- bass
Octavius- drums
rec. March 27, 2008 in Washington DC
artwork: Bobby BeauSoleil
"4 long instrumental tracks, 2 each
side. Father Yod's Sons live on The Legacy...
psychedelic music at his best and one of
the best, in term of sound quality, album
ever released in th entire qbico/sagittarius
catalog." ep
SECOND FAMILY BAND- Family Album (SAGITTARIUS A-STAR #34)
LP (black) + one-sided clear fuchsia LP and
pic disk artwork on back side (D); hand-made
3D emblem cover with 4 cut corners
side A
East to West
side B
Veiled Gallery
side C
Goodbye Asphodel
featuring:
Nico Kain (A,B), Ivan Mairesse (A), Dan Woodman
(A,B,C), Dave3000 (A,B), Clay Ruby (A,B),
Endless (A,B,C), Ol'son (A), Iam Lee (B),
Shane Verwey (B), Nick Johnson (B), Joel
Shanahan (B), Nick Turco (B), Nathaniel Ritter
(B), Brian Steele (C), Ian Adcock (C), Max
Elliott (+?), db Pedersen (+?), Troy Schafer
(+?), John Gould (+?), Nic Stage (+?), Karen
Eliot (+?), David Stearns (+?), Clay Kolbinger
(+?)
Side A - originally released by Earjerk Records
on the East to West cassette. rec. at Randy Street Bunker by
Endless 2009
Side B - originally released by Brave Mysteries
on the Veiled Gallery cassette. rec. August 2009 at the Harvest
House and St. Mary of the Oaks by Nathaniel
Ritter and Clay Ruby.
Side C - previously unreleased. rec. 2010
at Br. Early's Greenhouse by Endless.
artworks: David Stearns
design, editing, mastering: ep
WORDS:
"of all the records I got from 2000
to 2010, a coupla by 2nd Family are among
my fav... they remind me a bit the good old
Sunburned Hand of the Man (or at least that
tradition) but of course, with their own
unique sound. anyway, i wrote them... Tony
kindly sent me stack of stuff... i selected
& compiled a few things and they kindly
agreed without exception. i also invited
the Family to the 1st sagittarius a-star
night at ISSUE, NYC back in 2011: when i
met them i was engulfed by their very aromatic,
smokey aura... their set was very late (3rd)
but even so, before coming to the stage they
put on a kind of background tape/music and
disappeared.... weird sounds filled the air
and immediately i was... in some other place....
to me they got that magic touch. those particular
vibes also saturate these three long sides;
a very peaceful music, ideal for late night
shows or esoteric rituals..." ep
"... It's been a grind of a week for
me. So the prospect of some unplayed SAS
vinyl to brighten things up put a smile on
my face … an ideal way to start the weekend.
This particular weekend was going to be kicked
off with the Second Family Band LP from the
UFO Box! Side A jumped straight away into
a very trippy, ritualistic opening. "East
To West" it was called. A name that
this piece was correctly given. With it's
rhythm reminiscent of North American Indian
drums ("West"), while the strings
very much had an eastern feeling to them
("East"). After hypnotically building
on this, in both tempo and volume, it settles
into a sombre and shamanistic central section.
This is really hitting the mark for me! It's
almost like my subconscious made me wait
until the end of a crappy week before putting
this on and getting totally zoned out by
it. It's reminding me in a big way of the
Cavehill Hunters Attrition triple LP by Valley
Of Ashes in a kooky, psychedelic kind of
way. After calming things down the sound
moves even further eastwards with twanging,
oriental sounding strings and melodies….
as if to sooth the listener out of their
hypnosis, or deeper into it - I suppose the
direction taken is optional, but I'd better
make up my mind soon because I need to turn
the LP over onto the B side! It's very immersive
stuff! So much so, that you either risk not
getting to the end of the album (consciously)
if you just let yourself go with it; or you
can concentrate hard all the way through
but not get everything out of it that you
potentially might. Veiled Gallery starts
off as a much more psychedelic trip than
a cultural sounding one. Acid rhythms and
picked strings are backed with a curious
industrial sounding drone. I think this side
is reminding me a lot of the awesome Loosers
releases on Qbico. The woody sounding percussion
eventually gets some flanged out guitar washing
over it as Veiled Gallery simply marches
on through all of it. This one is making
me thirsty! :-D It's all over too quickly
as side B ends with some spacey, cosmic sounding
electronics …time to grab a bottle of vino!!!
The 2nd LP is a cool coloured piece of vinyl!
What did you use in the end to stick the
artwork to the D-side?? The music has a cool
combination of wailing sounds, rhythms and
guitar string picking that morph into music
with an Indian Subcontinental flavour. It's
all perfect late night listening material.
I can see myself listening to hours of this
stuff on a long overnight drive while watching
the asphalt zip past in the headlight beams.
There's a strange change in the middle of
side C. After almost fading out the sound
comes back at you in the form of a watery
yet hollow sounding rhythm. One of those
weird organic sounding rhythms that you can't
stop listening to!! That was 3 brilliant
sides of listening. Makes me want side D
even more now :-D You have to release more
of this band. If you have so much stuff sent
to you from Tony, I think you should do a
Second Family Box maybe!?? 2 more UFO box
LP's to go :-) But I'm going to play this
album one more time first. Best regards."
ML
BOBBY BEAUSOLEIL- Dancing hearts afire (SAGITTARIUS A-STAR #33) LP hand-made splatter vinyl and labels,
ltd ed 99 copies only numbered (+26 for the
ltd ed box)
rec. 2011/12
the recipe
basic colors: black + metallic gold
variations (six): with yellow & white/violet,
yellow & white/azul, yellow & green/
blue/green, yellow and white/red, yellow
& white
labels design: Bobby BeauSoleil
i'd like to personally dedicate this album
to Barbara BeauSoleil, a dancing sweet heart, rest in P
"A very subtle two sides long piece
of music which grows on you... Bobby's guitar
solos are particulary evocative, especially
if heard at very low volume :-). new rec.
from Bobby BeauSoleil in at least 25 years
!? a special and rare event ?! nah..."
ep
SAS #33/34/35/U-Nite I ltd ed
26 copies only, numbered
the UFO box
- exclusive artworks by outsider artist:
Ionel Talpazan
special thanks to LK, who helped me to locate this elusive artist
- box available in three versions: metallic
azul x3, fluorescent yellow x3 and white
x20
- SAS #33 most extravagant and colorful copies
- SAS #34 with hand-made FOLDER covers done by Family's
members
available in the following variations:
violet
starry night
egg plant
brass
ocean
gold
lapis
clear lake
sky
snow
evergreen
bronze
rose
ruby
grass
strawberry
rust
copper
sand
amethyst
disco
moss
lupine
midnight
cinnamon
lipstick
lettering: Dan Woodman
front & back cover: +*:+.*:'(coughing
glitter)':+*.+:* Endless (aka Star Child)
inside collages: Brian Steele, Clay Ruby,
Dan Woodman, Danny Gonzalez, Nick Johnson,
Dave 3000 and Endless
side D pic disk with different artwork from
regular ed
- SAS #35 with exclusive artwork by Bobby BeauSoleil
(his vision of a Djin, a Sunflower and an
Octavius)
- SAS #U-Nite I 180gr. LP on galaxy vinyl with glitters or
star dust (each vinyl is hand-made and a unique piece);
housed in a special cover with large opening
on front and original size poster of the
concert on back
the UFO box ltd ed gallery
MURUGA & BIG BLACK- Sangoma drums (SAGITTARIUS A-STAR #32) LP, clear fluorescent yellow vinyl
side A
Inner Journey
Muruga Booker- nada drum
Big Black- nada drum, nada jar drum
Perry Robinson- ocarina
Shakti- rattles
Electric Body Drums
Muruga Booker- small body drum
Big Black- large body drum
side B
Chant of Bahia
Muruga Booker- drums, percussion, nada drum
Big Black- hand drums, tumbas, percussion & tin
sheet
Perry Robinson- ocarinca & clarinet
Harry Ely- hammered dulcimer
Vince da Luiso- ectar
Ilia Reyzman- violin
James Gurley- guitar
Shakti- vocals
rec. August 17, 1990 at the Music Annex,
Menlo Park, California
recording engineer: Bob Dennis
studio assistant: Tom Garr
mixed and mastered at Sage ct studio, Ann
Arbor by muruga booker
aka priest steven bookvich and Jef stevens
artwork: Muruga
originally released on cassette in small
quantities, back in the early 90's
"While living in Cupertino California
just after recording the grammy Nominated
album blues from the Rainforest, with Merl
Saunders and Jerry Garcia, I was also doing
a lot of new age world trance music, for
my own label Musart Co. now Musart media,
with an array of very interesting spiritual
and artistic musicians , many of which are
on this group of recordings. People Like
God father of sread & phycodilic guitar,
James Gurley from Janis Joplin and Big brother
and the Holding Co. , perry robindon son
of Earl robinson , a 7 time Down beat jazz
poll winner on Clarinet , llia Reyzman x
Violinist for the Moscow Syn and Played for
Gorbachoff , also on synth . hammered dulcimer
player Herry Ely herry goes back to daiting
billy holiday and the roots of jazz…. Vince
da Luiso on Ectar and percussion. a one string
drone rhythm interment the mother of guitar…Vocalist
Shakti Patty Bookvich my beloved wife, and
percushinest andy doerschuk , Who I met at
drums and drumming while I was doing the
differn’t drummer colem for them he was my
editer and has a deep insight to drumming.
One of the albums I was planning to record
at the music Anix in Palo alto Calf was the
Sangoma drums album with Master percussionist
Big Black who was a real influence on me
in my youth as a drummer. I met Big Black
at Yoshies while jamming with Pharo sanders
for Eddie Moore’s Memorial also percussionist
on the Rainforest album as guest . Big black
and I were doing a trance album reminiscent
of the Sangoma an Afrocian Shaman Madison
man and healer, keeping in line with the
trance drumming I did with prem das and Shakti
on Journey of the Drums a new age trance
classic even playen on Hearts of space… while
we were prepairing to do this album Master
engineer Bob Dennis from the disc ltd who
I met while recording at the disc with the
soda jerks my group that George Clinton was
producing and there and Bob was the engineer….we
ended up recording projects for 20 years…
anyway bob called and said he wanted me to
do the sound tracks for two tv shows one
on tuva and the other on a physicly impaired
man who pattled a boat across the Bering
straits from Russia to Alaska. I said I was
already doing a session with big black and
all earlier mentioned, so why don’t we do
it all in the same week with the same musicians
and Bob Dennis as engineer and Tom Garr as
studio helper.. We created a spirit art inviorment
in the studio to get the right vibe insterments
everywhere our own and some rented like a
deep bass drum that was so low the def could
feel the music without hearing and it was
thus used in that way dancing to the vibration
they could feel all set and we recorded Sangoma
Drums and then and the next day we did Tivinian
Trance while the band recorded while the
movie was being showin to us and the same
way the next day with Bering strait vishion
and sound. A cosmic and spiritual artistic
session that was with food wine and incense
flowing an co creating in Spirit with these
great souls. Love in thanks for the chance
to record with these great mistros of sound
and trance vibrations in a Spirit World way."
muruga
MURUGA & BIG BLACK- Tuva trance (SAGITTARIUS A-STAR #31) LP, black vinyl
side A
Bering Strait Vision Tones
a.1 Circle Dance Across
a.2 Bering Strait Iceolations Blues
Muruga Booker- accordion, trap drums, percussion, nada drum
Big Black- hand drums, tumbas, percussion
Perry Robinson- ocarina, clarinet
Harry Ely- hammered dulcimer
Ilia Reyzman- violin, synth
Andy Doerschuk- percussion
Shakti- vocals, trap drums
Vince da Luiso- ectar
James Gurley- guitar
side B
Tuvanian Trance
Muruga Booker- trap drums, voice, percussion, nada drum,
Tibetan long horn
Big Black- hand drums, tumbas, percussion & tin
sheet
Andy Doerschuk- bass drum, percussion, bells
Vince da Luiso- ectar, percussion, bells
Perry Robinson- ocarina, clarinet
Harry Ely- hammered dulcimer
Ilia Reyzman- violin, synth
James Gurley- guitar
Shakti- vocals
rec. August 18 & 19, 1990 at the Music
Annex, Menlo Park, California
recording engineer: Bob Dennis
studio assistant: Tom Garr
mixed and mastered at Sage ct studio, Ann
Arbor by muruga booker
aka priest steven bookvich and Jef stevens
artwork: Muruga
"Muruga rec. this amazing music 23 years
ago ?! well, it still sounds too fresh even
today... they'll understand in the next coupla
of decades, MAYBE ?!" ep
UNI Trio (SAGITTARIUS A-STAR #30) one-sided LP, black vinyl; ltd ed 99 numbered
copies only (+ 26 for the ltd ed box set)
side A
Raga Roni
Laser Beam Blues
Lullaby of the Elements
Children's Song
Perry Robinson- clarinet
David Izenzon- double bass
Randy Kaye- drums
rec. at Vanguard Studios, NYC on 25th January,
1968
artwork: Muruga
"(Perry was stationed in Panama during
his military service back in the early 60's)...
My most important army experience was playing
with the UNI Trio, the three of us (original
members Bill Folwell and Tom Price) getting
to know each other and exploring the high
free music. It was like paradise; at night
we would go to the banks of the canal with
palm trees and the stars and the universe
around us. that's why we called ourselves
the UNI Trio, becouse we were playing universal
music, playing out with stars and the universe....
The UNI Trio was a very special group, and
a very important part of my development....
I had a later versions of the UNI Trio including
one with Tom Price and another with Steve
Tintweiss and drummer Randy Kaye. Then i
had a UNI Trio with Dave Izenzon and Randy,
and that was one of the highest." Perry Robinson from the book The Traveller
SAS #30/31/32 ltd ed
26 copies only, numbered
the Muruga/Perry box
(and James too)
- on front an original and unique artwork
by Muruga (all different)
- SAS #30 with paste-on cover and different
artwork from regular ed + insert
- SAS #31 with paste-on cover and different
artwork from regular ed + insert
- SAS #32 with paste-on cover and different
artwork from regular ed + insert
- SAS #32c one-sided LP with hand-made label
(photo of Sangomas) and totally unreleased
music from the Sangoma drums session (this
particular track was not even on the original
cassette release)
Blissfull implosions
Muruga/Perry Robinson/Big Black
the Muruga & Perry box ltd ed gallery
BLACK MOTOR- Jumehniemi (SAGITTARIUS A-STAR #29) LP, black vinyl and printed inner sleeves
side A
Jumehniemi
side B
Water
No spell nor prayer
Kolme neitta niemessa
Sami Sippola- tenor and baritone sax
Ville Rauhala- bass
Simo Laihonen- drums
rec. January 2011 in Jumehniemi, Finland
engineer: Jussi Saivo
artwork: Visa Knuuttila
photos: Black Motor
"The Black Motor on Sagittarius (after
their 1st qbico release) ! probably one of
best & more respected free music outfit
in Europe right now, for sure they rules
in Finland and especially in their own town,
Tampere where they even have i think a bi-monthly
night called Black Motor Klubi at legendary
Club Telakka... it's for sure one of the
tightest group i know of, having the chance
to play a lot together and this is clearly
manifest when you hear their unfocused playing... their most mature work to date
?! the fierceful album's title composition
occupy all side A and it's a wild affair,
while the three pieces which make up the
B side are a different deal: meditative and
joyfull in the moods." ep
TRULOFA TRIO (SAGITTARIUS A-STAR #28) LP, black vinyl
Jon Draeby Nielsen- reeds
Nikolai Brix Vartenberg- reeds
Magnus Olsen Majmon- drums
rec. at Magnus' wooden room (near Copenhagen,
Denmark) some days in 2012
artwork: Nikolai
"Two new side-long improvised tracks
by Trulofa Trio rec. this very year ! such
fine, young and talented players with their
own sound and art too, which best translate
their natural music in images of... ghosts,
forest's spirits, out there being, waterfalls
of glorious light, dancing shadows..." ep
ELEKTRODIESEL- Summer Sessions, Del Tre (SAGITTARIUS A-STAR #27) LP, black vinyl
side A
Sometimes i forget to remember, part I
side B
Sometimes i forget to remember, part II
Elektrodiesel:
Vidar Evensen, Gaute Sortland, Andreas Meland,
Jon Ovstedal, Laila Evensen, Tom S. Magnussen
and Espen Jensen
instruments played:
analogue synth, electric organ, PA feedback,
guitar, drums, percussion, Bontempi air organ
rec. in the Summer of 1999 in Haugesund,
Norway
artwork: Espen Jensen
thanks: Espen
"One day i was going through the rockets
that i get in betw 2000 and 2010... i gave
most of them away and kept only the best
ones.. among these there was the 1st Elektrodiesel
album which came out in 2000 on Synesthetic
label on a very heavy slab of wax... so i
thought about writing/looking for the man
behind it... fortunatly Espen, apart being
a really easy going folk, rec. more material
from that 1999 Summer Session ! in over 3
days, 2 hours and 40 minutes were put on
a cassette dictaphone (no fancy digita stuff has he remarked to me)... i selected and
compile the best material and here we go:
you got a mesmerizing psychedelic live set
of raw power/beauty, all improvised/all real
(unpolished/unmixed)... few moments of it and i felt like to
be... to be right there: in the middle of
the crystal cave..." ep
MATS GUSTAFSSON- Mats G plays Gullin (SAGITTARIUS A-STAR #26) one-sided LP, black vinyl, insert &
paste-on cover; ltd ed 99 numbered copies
only (+ 26 for the ltd ed box set)
side A
Dannys' dream
Mats Gustafsson- baritone sax
recorded, mixed and mastered May 6th, 2011
by Martin Siewert
photo by Kirill Polonsky
"3rd in a series of 3 solo one-sided
LP (previous two on qbico)... this time Mats
G on baritone sax render hommage to his own
country leading sax player: Mr. Lars Gullin."
ep
SAS #26/27/28/29 ltd ed
26 copies only, numbered
the Scandinavia box
- on front aurora borealis images on high
quality photo paper, 12 different versions
- SAS #26 with paste-on cover, insert, and
signed photo by Mats Gustafsson
- SAS #27 with hand-made covers by Espen
Jensen; all different/unique
- SAS #28 with hand-made covers by Jon, Nikolai
and Susan Thorhauge; all different/unique
- SAS #28c one-sided LP by Trulofa (from
the same session; in the same cover with
side A/B)
- SAS #29 with hand-made covers by Black
Motor's conoscenti: Suvadeep Das, Liisa Lahti, Raila Knuuttila,
Visa Knuuttila, Noora Porola and Ville Vaha;
all different/unique
Scandinavia ltd ed gallery